Showing posts with label labyrinth. Show all posts
Showing posts with label labyrinth. Show all posts

Monday, May 13, 2013

MUSICAL MON! SPACE ODDITY COVER BY THE INTERNET'S FAVORITE ASTRONAUT!

MUSICAL MONDAY PRESENTS

Okay, so we've covered a remix of Space Oddity with brentalfloss's starfox cover and David Bowie as the Goblin King, but today is something special. Today, we're covering the first music video filmed in space.


Chris Hadfield is the internet's favorite astronaut; he's on the Canadian $5 note, has made several awesome videos answering people's questions about space (EX. "Do tears fall in space?" and "What happens if you wring out a wet towell?") and has generally been a champion of education, fun, and the human race.

And, about an hour ago, Chris Hafield began his return down to earth on a shuttle. I wish him the best and hope that someday we'll all have the opportunity for safe space travel.

Saturday, March 17, 2012

THE BEST OF WORD OF THE DAY & A NEW MISSION!

A portrait of your benevolent blogger
Starting this month, I will be trying to pull this blog back to some of its roots. Looking back to last year, I found that my Word of the Day's used to be a lot more in-depth and analytical. In order to continue to improve my blog, and to explore the world of science fiction, fantasy, and story-telling theory, I am going to pursue loftier heights with some of my Word of the Day Articles.

In the future, expect the articles to get a good bit wordier.

Also, expect to see more articles like this as the blog gets bigger to help bring new readers up to date and share some of the best content I have in my archives. Expect a round-up of the more touching/fantastic/bizarre Word of the Days in the future. For example a round up of Pokemon articles, Unicorn articles, and a round-up of my most creative uses of the Word of the Day.

To celebrate this new chapter or milestone or pointless moment in the march forward (or in any relative direction) here are links to some of the more interesting and intellectual Word of the Day's I've done. They are less about creative or funny flights of folly and more analytical. Check them out and make sure to leave comments. Expect the whimsical and the witty.

Sunday, September 25, 2011

WEEKLY ROUND-UP! 9/18-9/24 2011

WEEKLY ROUND-UP:
Labyrinth Week



 I loved this little experiment where, rather than writing a full essay, I just played with the words for a funny example. A little lazy? Yes? But fun? Definitely.





A little anecdotal and with little analysis of Sir Didymus, but to be honest there was little to analyze. I like the message of this word of the day and hope someone out there still believes in my version of chivalry.

  


  
David Bowie's performance of Jareth is a lot more interesting than most people give it credit for. It really is the most important factor in the movie's win power after Henson's awesome puppetry. 





 I got to see Christopher Nolan's fantastic film Memento for the second time at my film class the Saturday before last and really enjoyed it. The first time I watched the film I really didn't give it a fair shake and was distracted by other things going on. 











A follow up to the word of the day on 9/17, I just had to give Labyrinth the respect it deserved. This word of the day really reminded me of how much I love great 80's films like the Labyrinth. I was surprised by what I was able to discern from the film that I had not thought of before.

This week I got to write a chapter about Ryjac, a drow ranger and member of the Black Hands. I really enjoyed writing this chapter because this book in the Action Society lore has a lot to do with Ryjac because she is a native of the setting. Her family and city is on the line. 









I really think Pokemon blogs are a lot of fun to do and I think they're probably going to be a great hook to attract new readers to my blog. On Wednesday I got to talk about the original Mutha F***er Gary Oak! Check it out.

Friday, September 23, 2011

Word of the Day. 9/23/11

Word of the Day

changeling [cheynj-ling]
1. a child intentionally or unintentionally substituted for another.
2. (folklore) an ugly, stupid and/or strange child left by fairies in place of a pretty, smart child.

My Fine Fellow.

I finish my week of Labyrinth articles with a link to the manga, Return to Labyrinth, which takes place around 13 years after the events of the film and centers around Toby as a teenager being forced to return to the Labyrinth.



Thursday, September 22, 2011

Word of the Day. 9/22/11

Word of the Day

gallant [adj. gal-uhnt for 1, 2, 3; guh-lant, -lahnt, gal-uhnt for 4.]  
adjective 
1. brave, spirited, noble, or chivalrous.
2. grand, stately.
3. colorful or stylish; magnificent
4.exceptionally polite and attentive to women; courtly.

[n. guh-lant, -lahnt, gal-uhnt]
noun
5. a brave, chivalrous or noble person, especially a man.
6. a man especially attentive to women
7. a dashing man; a paramour

[v. guh-lant, -lahnt]
verb
8. to court or act as a lover
9. to escort a woman 

chivalry [shiv-uhl-ree]
noun
1. the sum of the ideal qualifications of a night, including the seven virtues, ex. bravery and generosity, as well as martial skill.
2. the rules and customs of a medieval knighthood.
3. courteous behavior, especially by men toward women.

CHIVALRY IS DEAD? 

My friends like to tease me for the simple fact that I live my life with a simple philosophy. Do no harm to others, unless they are doing harm to you. I an a reactionist and, when I can help it, a pacifist. Lawful good, paladin, paragon, are all sci-fi fantasy terms thrown my way to describe my actions in relations to other people. I suppose that if I had been born in another time or in a more fantastic world, I would be inclined to take the life of a knight. I won't lie and say I don't like my role as the nice guy but I don't think it is wrong to be proud of being courteous and sensitive about my words and actions (when I can help it).  Even in videogames like Mass Effect and Fable, I generally preferred to take the righteous path. Furthermore, my dungeons dragons characters that I can most get into are either over the top gallants or knights/clerics who live with a certain level of chivalry and adhere to a strict personal code (as a I do in real life). Yet, I feel that I am often in the minority. In fact, the concept of chivalry seems lost on most of colleagues.

A few semesters ago, in a British Literature course I took with one of my favorite English professors (I am an English-Creative Writing/ History double major), we read Sir Gawain and the Green Knight. In the story, there is a scene where a married Lady entreats Sir Gawain to bed with her while her husband is away. Gawain is opposed to this fact because it would be a foul deed to sleep with another man's bride and, in fact, Sir Gawain had forsworn laying with a lady until he was married (despite being quite the paramour and gallant in his own right). His chivalry would not allow him to help commit this act of adultery. When my professor asked the class what they thought, I was flabbergasted to hear more than one student accuse Gawain of being an idiot or "gay" simply because he had an ounce of not only respect for others but his own code. In the glib and disgusting use of the term "gay" by the vacuous young people of the 21st century, "Sir Gawain is gay". He is not gay because he likes men (which would be perfectly okay by me and would be a more incredible story for the period it was written) but because he is a chivalrous knight.

Furthermore, I hear the words, "chivalry is dead" more often than I would like to hear those words said, yet, more often hear them ironically in the full phrase, "and who said chivalry was dead," in reaction to a man taking a chivalrous act. Yet, times have changed and some would argue that the supposed death of chivalry is part of the death of misogyny.  Chivalry, as I see it, is not exclusive to men being courteous. Chivalry is about the strong helping the weak, the young showing respect for the old and for two people to have respect for each other. Women are just as capable of my version of chivalry as men. In an age where women are encouraged to be strong, as strong as men have been encouraged in the past, the axe cuts both ways.

As the axe falls and the sword flies, chivalry is, at its roots, not about courting a woman or becoming a knight, but showing respect to others. I end by asking you to raise your sword not in anger and to shield the weak and innocent from the arrows of anger. Everybody needs a hero. Be that hero.

 Be a Sir Didymus, not an Ambrosius.




Word of the Day. 9/21/11

Word of the Day

Sometimes I define terms. Sue me.

non-violent [non-vahy-uh-luhnt] 
adjective 
1. not violent, free of violence
2. peacefully resistant
ex. Pacifists perform non-violent protest through sit-ins and boycott.
 
gentle giant [jen-tl jahy-uhnt]
noun
1. a large animal or person known for its harmlessness or gentleness
ex. Whales are the gentle giants of the sea.

Under a Cork Tree

One of my favorite stories from childhood tells the tale of Ferdinand the Bull. Ferdinand is not like the other bulls because, despite being one of the biggest, he isn't aggressive. In fact, Ferdinand loves to sit under a cork tree and smell flowers. The tree was his favorite spot and all he cared for was the simple pleasure of life. Yet, when he is stung by a bee on one of the flowers, he stampedes about. Next thing we know, poor Ferdinand is taken to a bull-fighting arena and is headlined as Ferdinand the Fierce.They tried to get Ferdinand to fight but, the moment the senioritas threw flowers down to the matador, he wouldn't budge. In the end, they take him home where he can peacefully sit under his cork tree. It's a tale of pacifism overcoming through patience and of a beast denying the beast with-in. I love the simplicity of the story and I think it is why one of the few characters I have played in D & D in the last couple of years was a Minotaur named Ferdinand (corny, I know). Ferdinand is a gentle giant and so is Ludo.


Ludo is a rather important archetypal character and, unlike Hoggle, Sarah and Jareth, needs no transformation. He is already a good person and needs now growth. If doesn't grow, in a story about characters growing, why do we need Ludo in the story at all?


Ludo is a character that is, in fact, more than meets the eye. Initially, when Sarah and Hoggle hear him roaring and howling in pain, they're nervous. Hoggle chooses this moment to ditch Sarah. As Sarah gets closer, she watches a bunch of smaller goblins picking on Ludo, who they've tied upside down to a tree. Sarah manages to help Ludo free himself and in that moment reveals his own extraordinary powers.


Besides being an eight foot tall hulking beast with the strength to pull a wall off a building as we would open a window, Ludo also has the ability to call the rocks. When he sings, rocks come to his aid. This connects Ludo to nature and makes him even more powerful, yet, in a naturalist point of view, explains some of his gentleness.


In fact, Ludo is only aroused to violence when Sarah and Didymus (who had become brothers through melee) are threatened. Even then, Ludo doesn't use his full strength and he doesn't seem to take any pleasure in exerting his power over others. He is a simple creatures who just to mind his own business and help his friends.

Ludo is good friend to Sarah because he is brave, honest and loyal.

Who doesn't want to give Ludo a hug?

Tuesday, September 20, 2011

MIXED BAG. LABYRINTH LOLZ 1

Sorry about another Tuesday without another review as a concession I will repost my old journals about my Summer of 101 Movies!

Word of the Day. 9/20/11

Word of the Day

craven [krey-vuhn]
 adjective
1. contemptibly timid, cowardly or chicken.
noun
1. coward

rogue [rohg]
noun
1. a thief.
2. a dishonest knave and/or scoundrel.
3. a tramp or vagabond
4. a playfully mischievous person





HIS NAME IS HOG-GLE!

Most fans of Labyrinth seem to be girls, and most girls have a favorite character and that character is not Hoggle. Hoggle is a nasty, little, cowardly, thieving, greedy, ugly, mean and contemptible goblin. He hunts fairies with poison spray, he runs at the first sign of trouble, and only wants to help Sarah if it is profitable. Yet, not only is he one of my favorite characters of all-time, but he is my personal example of the archetype of  a rogue.
 
First, lets tackle his first scene. Not only do we have the pleasure of watching a muppet pee into a pond, but we get to see him gas pretty little pixies with a spray gun. At first, Sarah thinks this is terrible but after one bites her, she realizes Hoggle may not be all he seems. All things that are beautiful are not necessarily good and all things that are ugly are not necessarily bad.

Hoggle is the first person Sarah meets in the Labyrinth and she asks for his help. He gives it, plainly, but she doesn't follow his instruction well. After ending up in a pit, they meet up again and he offers to help her escape the bowls under the Labyrinth and even get to the castle in exchange for a piece of jewelry made of "plastic" (haha). Yes, he may seem greedy to us but look around his environment. Its not easy for a goblin in the Labyrinth. He has never met anyone like Sarah and this begins his own transformation.

In the Wizard of Oz, Dorothy meets three characters that are missing something. In Labyrinth, Hoggle has no heart and no courage but he does have is brains and know-how. He is a rogue. A thief but he is not mean or cruel. He tries to help Sarah escape the Labyrinth and only leaves when it becomes too dangerous for him to continue. He soon becomes the biggest risk in Sarah's gang of weirdos when Jareth threatens to throw Hoggle in the Bog of Eternal Stench if he helps her again. Hoggle leaves her when he sees the threat of Ludo but returns to save her from the Fire Men. He becomes Sarah's friend but not for long. Jareth makes Hoggle poison her with a piece of corrupt fruit. Hoggle has to hit a low point 
 before he can become...*drum roll* A HERO!
 
In the last act of the movie, when they reach the castle, Hoggle has to become a hero. Hoggle not only defeats the gate guardian robot in single combat by using his roguish climbing skills but he defends Sarah from the goblin army. Hoggle is not big like Ludo nor as brave as Sir Didymus but he learns a lesson that will always stick with me. The first way we learn to be brave is by protecting our friends. He doesn't become a hero for any greedy or vain reason. He does so to protect Sarah and his friends. Hoggle is a great symbol for the little clever dwarf thief in all of us.


And he will always be there should the need arise for him to come to her aid!

Monday, September 19, 2011

MUSICAL MONDAY! David Bowie in LABYRINTH's MAGIC DANCE!

Msuical Monday!
DAVID BOWIE in LABYRINTH's MAGIC DANCE

 Continuing with our theme of Labyrinth, I've attached links to the Inside the Labyrinth and Magic Dance videos on youtube. Enjoy. 
The Labyrinth is really special. How so? Well, for starters it is a musical that centers around a single artist or band, and it doesn't suck. Besides Across the Universe, which doesn't have any of the Beatles in it as far as I can remember, this is the only film of that genre that I not only enjoy but can watch again and again. I think part of the reason it works is that, rather than taking already existing Bowie songs and cramming them into an overstuffed movie or trying to build some Bowie mythos it does none of these things. It is a completely unique creature and that is why it has gained cult movie status. Perhaps the hammiest but most cult classic song of the bunch is Magic Dance.

These guys are party animals. Seriously.
I'd like to begin by talking about what is so hammy and lame about the song. First, Magic Dance, which may be the lamest and most uninspired song ever. Furthermore, this scene really doesn't play into the plot or establish any new information besides the following, Jareth is a bit of a silly tit and his servants really do love him. He is mean, insulting, and even cruel but it is all done with style and panache. With all his powers, it really would've made you wonder why he'd be King of the Goblins if it wasn't for his sillyness.

Yet, what is the real strength of this scene? Bowie's energy bringing an instant jolt of fun and the opening lyrics, 
You remind me of the babe.
What babe?
The babe with the power.
What power?
The power of voodoo.
Who do?
You do.
Do what?
Remind me of the babe.

This neat little Dr. Seussian poem sets us up for fun and is extremely easy to remember. I really love to find other fans of this movie by just saying, "You remind me of the babe," and seeing who chimes in. This is what we call a hook, song/movie fans, and it really is all you need. The rest of the song is kind of silly but that's the fun of it. Pure fun. Goblin puppets singing, chickens doding footfalls and a baby being thrown through the air, giggling.


Fun fact, the baby giggles in the song are actually David Bowie. In the documentary, Inside the Labyrinth, Bowie remarks about the difficulties of working with a baby and how at one point where the couldn't get the baby to cry he just wanted to kick it. Add the chickens, puppets and other miscellanea and its easy to see why this was a challenging music video to pull off.


Is Magic Dance the best song in the movie? Nope. The best song is probably at the very end with As the World Falls down. The final battle song is really an impressive feat. But for every Yang you must have a Ying and thats what Magic Dance is in the end. The positive note in a dark fantasy for children-young and old.

Word of the Day. 9/19/11

Word of the Day

 Keeping up with our pattern of looking at the Labyrinth characters and elements today we'll be discussing four words that play into the character of the goblin king, Jareth.

illusion [ih-loo-zhuhn]
noun
1. Something that deceives by creating a false or misleading reality.
2. the instance, state or condition of being deceived.

illusionist [ih-loo-zhuhn-ist]
noun
1. a conjurer or magician who creates illusions, as if by sleight of hand.
 
MC Escher's Relativity.
paradox [par-uh-doks]
noun
1. a statement or preposition that seems contradictory or absurd but possesses a possible truth.
2. a self-contradictory and false proposition.
3. a person, thing or situation that exhibits a contradictory nature.

To the right you can see one of M. C. Escher's visual paradoxes, Relativity, more colloquially called "Crazy stairs" or thanks to Jim Henson, "The stairs from Labyrinth."  The 1986 film really plays on the audience with visual tricks.





FOR ALL IS NOT AS IT SEEMS
 Jareth is the film's antagonist. He is the king of goblins, master of the maze, illustrious illusionist, enhanced enchanter and androgynous sex in tights. He is also a master of the slight of hand, slight of tongue and slight of body (and of reality). When he first arrives in teenage Sarah's room, after kidnapping her infant brother Toby, he tells her plainly that he has only done what she wished. At first he tries to convince her to surrender the game because she will lose. But this is his first play on her emotions and in his own desires. He wants her attention and her challenge. He doesn't want her to succeed. It would just be another win in a succession of successes. He toys with the idea of perception when he juggles a glass ball (FUSHIGI is not a new idea by any stretch and it turns into a little beasty. He gives her the challenge, get to the center of the labyrinth in 13 hours and she gets Toby back. Fail? He gets to keep Toby and turn him into a goblin. The character loves playing games not only with his words and with his illusions but with the perceived notions that the audience has. He changes the rules.


The first illusion is his motives. His motives seem to be mixed. On one hand, we have the simplest of motives, of pride. She invokes his name and requests his assistance. The Goblin King cannot resist such a request. But his motives are layered. His intentions with Toby at first seem cruel but, at least on some dimensions, he wants an heir. The Goblin King may have been like Sarah once, a human, and seeks out human companionship. A manga sequel to the Labyrinth seems to pose the idea of him needing/wanting a heir but even then his intentions are dubious and confused. Does he really want an heir? Or does he simply want a family? Or just a friend? Maybe he is just reminded of the babe? What babe? Maybe he just wants the babe with the power? What power? The power of vodoo. Who do? You do. Do what? Remind me of the babe. His intentions are never truly revealed cuz they don't have to be. He is complete control of his realm and Sarah is, at first, just a point of amusement.


Let's talk about the illusions of the Labyrinth that Jareth has created before we get back into his intentions and personality. The first illusion is his impressive juggling. Not to ruin the spectacle, but David Bowie is not a master juggler. During the scenes where he juggles, a man is sticking his arms from behind him and creating the illusion. The next big illusion is the matrix itself. The shots of Sarah running through the Labyrinth are juxtaposed in such a way that it seems like it never ends. When Sarah tries to just run in a straight line, she ends up back where she started. It turns out that some of the walls are actually ways forward, furthermore, sometimes the fastest route through the Labyrinth is not a straight line but under it. All the while, walls are shifted, marks are covered up and most attempts at trying to make it across are erased. Jareth doesn't even play by his own rules, so Sarah realizes she shouldn't either. Lives are on the line!


Sarah is also challenged by the temptation of Jareth, a symbol of her desire to be adult but live in a fantastic world. In this way, Jareth plays the role of enchanter, as he tempts Hoggle with what he desires as well. Jareth makes all matter of ridiculous claims and poses all matter of cluttered riddles to distract his opponents. When Sarah teams up with Hoggle and her other friends, he becomes desperate, and tries to drag Sarah into a fantasy world, via a poisoned peach from Hoggle. Yet, his deceptions and Labyrinth are defeated and Sarah makes it into the final test, alone.


Jareth was supposed to return Toby once Sarah found her way to his castle. Instead, he switches his motives and takes one last try at trying to control her. He wants her, not only because she is a beautiful human (like he was once) but she bested him. In the end, Jareth is an illusion or a deception. He is adolescence. He has power, charisma and the body of an adult, but at the same time has the imagination, playfulness and unfairness of child. He is Sarah's struggle with growing up. Or is he?


That is the real question presented with the Labyrinth. Many critics and film buffs see this as just another Wizard of Oz knock-off with pop songs but they don't look into it further. This film is filled with twists and turns. Perhaps, what draws me back is the mystery and the layers of the dream. For all is not as it seems.


BWAAAAHHHAHAHAHAHWAHHA!